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    • Women's Fictionx
    • PaGe Literary Agencyx
    • Fiction

      The Light in Isabel's Eyes

      by Edmée Pardo

      Four characters cross paths in a hospital: a woman about to give birth; a family facing the inexplicable death of one of their own; a man who falls ill; and a teenager persecuted among hundreds of women in an oppressive town. Their life is intertwined with secondary characters with whom they mix as they walk towards their separate destinies. In a violent city in the middle of the desert, death, birth, love, pain, and revenge are joined by the shadow of God or maybe by the shadow casted by his absence. Weaved in a net of actions that develops at full speed through a clean and poetic prose, this is a story that hurts and heals at the same time. This novel speaks of God and Spirit, of inner strength and emptiness, of solitude and communion, also of hope.

    • Fiction
      April 2024

      Moons of Instanbul

      by Sophie Goldberg

      Ventura, a beautiful young Turkish woman, travels to Mexico because her family has arranged her marriage to a fellow Sephardic immigrant. With a trunk full of hopes and traditions, she bravely faces the unknown, as she embarks on a surprising journey to start a new life, far from her homeland. The arrival, the nostalgia, the heart-wrenching uprooting and the adoption of a new homeland will mark her adventure as a migrant, until the long-awaited return to Turkey. Ventura will live each event with intensity and will season her days with the aromas, flavors, rhythms, colors and proverbs from the Far East. Amid recipes and customs inherited from her ancient culture, she will find the best antidote to homesickness, even if her memory cannot forget the Moons of Istanbul.

    • Fiction

      Casta Diva

      by Alejandra Ángeles

      Alejandra Ángeles' first novel, "Casta Diva," also published by Fondo Blanco in 2023, is set in Mexico City and tells the story of two young women, Ágata and Catalina, who share the same dream: to become opera singers. This raises the question: what does it take to be an opera Diva? Ágata doesn't quite know, but she yearns to find out. Her questioning also touches Catalina, who senses the answer and plans the journey. Ágata has the voice, but not the character. Catalina, on the other hand, has the voice, the character, and the cunning to navigate the challenging operatic environment. Ágata comes from a small family background, while Catalina... Catalina brings the music, which will become an accomplice and intertwine their lives. Choruses, cantatas, zarzuelas, and operas will stage the situations they must face behind the scenes to secure a place at the Opera of Bellas Artes, and with it, the opportunity for something much greater.

    • Fiction

      Always a Banishment

      by Gabriela Couturier

      Against the backdrop of recent large migrations to Europe, Always A Banishment is the real story of a little migration that originates in late nineteenth-century France. Forced by poverty, driven by hope, three peasants from the Upper Savoy see in the Veracruz coasts of Mexico the possible answer to their desperate situation. Betrayals, far distances, luck and nature play, then more than ever, a decisive role in the fortunes of migrants, who see their homeland, their people and their customs fade away before they can carve a place for themselves in Mexican lands. Based on the actual letters sent by migrants, this novel remembers a reality that shows that every migration story, regardless of its outcome, is Always A Banishment.

    • Fiction

      That Other Orphanhood

      by Gabriela Couturier

      That Other Orphanhood speaks to that deeply dissatisfied inner self who feels trapped in a life that is very different from the one we intended to live. It is, also, a novel about a coming of age of sorts: the main character stands at the threshold of mid-life, and while she is a successful career woman with a good marriage and a seemingly enviable life, she knows the decisions she makes from now on will have ever more permanent consequences. Changing course to pursue a long-coveted dream might endanger not only everything else she has achieved but the very foundations of her life. And the insistent beckoning of maternity feels more like a question than an answer in her orderly world. With her struggle against the increasingly common nightmare of infertility as a leitmotiv, That Other Orphanhood reflects on the contradictions that threaten the harmony between our ambitions, the expectations of society and our very essence.

    • Women's Fiction

      The Garden by the Sea

      by Sophie Goldberg

      Bulgaria, 1942. Boris III must hand over 20,000 Jews to the Nazis for extermination, but the king and his people do not intend to yield. Likewise, little Alberto, only six years old, resists when SS officers forcibly take his father away. Now he is the man of the family, and he must take care of his younger brother and his mother, who seeks to keep her children safe from the horrors of the war and not lose hope of being with her beloved husband once more. Based on real events, The Garden by the Sea tells, through the eyes of a child, the previously untold story of the unique fate of Bulgarian Jews during World War II

    • Fiction

      All That We Don´t Know

      by María de Alva

      Four children have to deal with the killing of their father in violent, 1970's Northern Mexico. Grief does not stop because nobody in the family wants to talk about the murder for fear of disrupting family unity. The story is written from the perspective of four narrators. The first is a woman who tries to find the truth using her own recollection, photographs and a USB. A second narrator is a police detective who was the lead investigator of the killing and keeps a detailed file and realizes something doesn´t quite add up. A third narrator is a middle-aged woman, facing a cancer diagnosis and who, in the middle of treatment, starts remembering things about her father. The novel takes us deep into the dark wolrd of the 23 September Communist guerrilla in Mexico, weaving elements of historical fact and fiction, and trying desperately to answer questions about the need to for the truth.

    • Fiction

      The Roots of All Evil

      by Paola G. Gasca

      A black and white photograph; a little girl; a small town. Dolores and Jacinta are sisters-in-law who cope with parallel grief. Dolores cannot seem to find a place inside her husband’s heart, not a simple life as she is surrounded by children. Jacinta carries the burden and sadness of being unable to get pregnant. It will be Inés, one of Dolores’ daughters, who strikes the balance and determines the destiny, love, and loss path not only of those women, but of the entire town. The Roots of All Evil happens in a town where hate is so deeply grounded, and where stories get tangled up with superstition, and where the roots of both touch each other, to the point where reality is suspended between veils of evil and sheer coincidence.

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