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      • Fiction
        November 2015

        My Gita

        by Devdutt Pattanaik

        In My Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary reader. His unique approach — thematic rather than verse-by-verse — makes the ancient treatise eminently accessible, combined as it is with his trademark illustrations and simple diagrams. In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships. This becomes relevant today when we are increasingly indulging and isolating the self (self-improvement, self-actualization, self-realization—even), ignoring the fact that we live in an ecosystem of others, where we can nourish each other with food, love and meaning, even when we fight. Let My Gita inform your Gita.

      • Fiction
        January 2022

        The Paradise of Food

        by Baran Farooqi

        Winner of JCB Prize for Literature 2022 A landmark Urdu classic translated for the first time. Khalid Jawed is one of the most original and extraordinary writers in Urdu today. The Paradise of Food is an Urdu classic known for its radical, experimental form and savage and dark honesty. It tells the story of a middle-class Muslim joint family over a span of fifty years. As India – and Islamic culture – hardens, the narrator, whose life we follow from boyhood to old age, struggles to find a place for himself, at odds in his home and in the world outside. But to describe the novel in its plot is to do its originality no justice. In this profoundly daring work – tense, mysterious, even unfathomable on occasion – Jawed builds an atmosphere of gloom and grotesqueness to draw out his themes. And in doing so he penetrates deep into the dark heart of middle-class Muslims today. Superbly translated, The Paradise of Food is a novel like no other.

      • Fiction
        September 2022

        The Secret of More

        by Tejaswini Apte-Rahm

        Winner of the 2023 Tata Literature Live! Book of the Year Award—Fiction Into the beating heart of Bombay, a city that spins cotton into gold, a young man, Tatya, arrives to make a living. Ambitious and hard-working, he begins to make a name for himself in the city’s famed textile market. Meanwhile, his new bride, Radha, navigates the joys and the challenges of raising a family in a city that is a curious and often bewildering mix of the traditional and the rapidly modernizing.Having tasted success in the world of textiles, Tatya chances upon an opportunity in an emerging industry—motion pictures— and is swept up in it despite his initial hesitation about this strange world of make-believe. His success seems unstoppable—the silent films he produces draw in the crowds and his new theatre is a marvel, but his friendship with and attraction to an actress, Kamal, threatens to shake his world and causes him to question his integrity.Set against the backdrop of bustling colonial Bombay, The Secret of More is a journey of relentless ambition, steadfast love, and grim betrayal, as Tatya strives to unlock the secret of more—of having more and being more. In a story that travels from the clatter of textile mills to the glamour of the silent film industry, from the crowded chawls of Girgaon to the luxury of sea-facing mansions, one man and his family learn that in the city of Bombay you can fly—but if you fall, it is a long way down.

      • Fiction
        May 2023

        My Poems are Not for your Ad Campaign

        by Aruni Kashyap

        In a recently liberated economy characterized by speed, the commodification of women’s bodies and consumerist culture, Bhashwati is an increasingly disillusioned misfit who has, ironically, just started working in an advertising firm. But her life changes one day when she finds out about the mysterious Mohua Roy, a former copywriter with the company, whose desk Bhashwati now uses. The company employees remain tight-lipped about Mohua, who had left abruptly for reasons unknown. On finding a poem written by Mohua, Bhashwati decides to search for her. This takes Bhashwati to Calcutta’s lanes, where she meets people who sacrificed immensely for the same values that she finds eroded in a developing India. Who is Mohua Roy? Why is there a net of silence around her very existence? Will Bhashwati find Mohua? Will she leave her job, just like Mohua? Hriday Ek Bigyapan, first published in Assamese in 1997, was an instant bestseller, going into tens of reprints in the next two decades. By taking a close look at the newly globalized India of the 1990s from a feminist lens, it poses questions about modern urban life that few Indian novels have been able to-questions that are still relevant today. Aruni Kashyap’s seamless translation from the Assamese makes this book a must-read.

      • Fiction
        November 2023

        Taxi

        by Manjula Padmanabhan

        Madam 'Maddy' Sen returns to India from the US, hoping to jumpstart her life by offering an exclusive women's-only taxi service in grimy, chaotic New Delhi. Then a brutal eviction turns her life inside out. A stranger makes a tantalizing offer. A new home with new friends and an excellent salary can all be hers. The catch? She must pretend, now and then, to be a male chauffeur to a powerful older man. Taxi takes the reader on a twisty romp as Maddy struggles with gender, social class, race and a flash of wild romance.

      • Fiction
        November 2022

        Mansur

        by Vikramajit Ram

        Shortlisted for the JCB Prize for Literature 2023 Saturday, the 27th of February, 1627. The master artist Mansur, who works under the patronage of Mughal emperor Jahangir, must finish his painting of a dodo and prepare for an imminent journey to Kashmir when he is interrupted by a younger colleague, Bichitr. An innocuous remark from this visitor – first to Mansur and a little later to the portraitist Abu’l Hasan – has dire consequences as more characters at the imperial atelier, the library and the Women’s Quarter are drawn into a web of secrets, half-truths and petty rivalries. At the heart of the story is a jewel-like verse book whose pages Mansur has illuminated and filled with lifelike butterflies. On reaching Verinag, the royal summer retreat in Kashmir, the painter must present the book to its author, the empress Nur Jahan, who had commissioned it as a keepsake for her husband, the emperor Jahangir. A delay in the book reaching Mansur from the bindery adds to his apprehensions that its very existence is no longer a secret, coupled with dread that so precious an artefact might fall into the wrong hands. What must the painter confront before his masterwork is conveyed safely to Verinag?

      • Fiction
        July 2018

        The Mogul

        by Vish Dhamija

        The wolves are circling; the lion is alone… Prem Bedi is the third richest man in the country. He commands both fear and respect and, at 53, he still looks handsome and aristocratic. He also chairs a business empire worth 200 thousand crores. He is the ‘Mogul’. But Bedi’s smoothly run empire faces a crisis when he’s accused of killing his ex-wife and her husband, and dragged into a court battle. Having lived his entire life in the spotlight, it’s no wonder that with this scandal, the spotlight on the Mogul grows brighter and harsher, and the question grows louder – ‘Did he do it?’ Piece by piece, put together with the words and memories of Bedi’s friends and associates, a picture forms: a young rookie advocate who wants the case – defending Bedi means he’s arrived. His ex-wife’s brother-in-law who can’t wait to see Bedi hang, so that he can inherit the money. The prosecuting advocate wants to bury the Mogul to make headlines. After all, Prem Bedi makes news, and this is as sensational as it will ever get. A story unfolding through several different perspectives, The Mogul is a howdunnit set in the fractured world of power, money and crime.

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