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      • Trusted Partner
        As You Like It
        Literature & Literary Studies
        November 2017

        As You Like It

        by Jim Bulman, Robert Shaughnessy

        This book examines the modern performance history of one of Shakespeare's best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goers to explore the pleasures of pastoral, gender masquerade and sexual ambiguity. Powered by Shakespeare's greatest female comic role, the play invites us into a deeply English woodland that has also been richly imagined as a space of dreams. The study retrieves the untold stories of stage productions in Britain, France and Germany, which include Royal Shakespeare Company productions starring Vanessa Redgrave, Eileen Atkins and Juliet Stevenson, the ground-breaking all-male productions at the National Theatre in 1967 and by Cheek by Jowl in 1992, and the versions directed by Jacques Copeau in Paris in 1934, and by Peter Stein in Berlin in 1977. It also addresses the four major screen versions of the play, ranging from Paul Czinner's 1936 film to Kenneth Branagh's seventy years later.

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      • Trusted Partner
        Wie es Euch gefällt
        Literature & Literary Studies

        Wie es Euch gefällt

        Theaterstück

        by William Shakespeare / Übersetzung von Rainer Iwersen

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      • Trusted Partner
        As You Like It
        Literature & Literary Studies
        September 2019

        As You Like It

        by Jim Bulman, Robert Shaughnessy

        This book examines the modern performance history of one of Shakespeare's best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goers to explore the pleasures of pastoral, gender masquerade and sexual ambiguity. Powered by Shakespeare's greatest female comic role, the play invites us into a deeply English woodland that has also been richly imagined as a space of dreams. The study retrieves the untold stories of stage productions in Britain, France and Germany, which include Royal Shakespeare Company productions starring Vanessa Redgrave, Eileen Atkins and Juliet Stevenson, the ground-breaking all-male productions at the National Theatre in 1967 and by Cheek by Jowl in 1992, and the versions directed by Jacques Copeau in Paris in 1934, and by Peter Stein in Berlin in 1977. It also addresses the four major screen versions of the play, ranging from Paul Czinner's 1936 film to Kenneth Branagh's seventy years later.

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      • Hell Unlimited
        The Arts

        Hell Unlimited

        Where Shakespeare Met Goethe

        by Joanne Maria McNally

        In short, incisive scenes this novella explores the role of theatre, film, dreams and nightmares in and beyond life in a situation of sadistic imprisonment, and explores the way the inevitable and dramatic unfolding of their oppressors’ horrific plans impact upon the lives of three individuals (who are also artists) and their friendship. The novella has a contemporary feel due to the framing of it in the present and in the form of a talk to an audience.   It opens with the main character, an elderly famous actor known only as Carl, reciting Shakespeare to the walls of a dilapidated barrack. His much younger friend, an acclaimed photographer and cameraman known only as Carl’s friend, and a new arrival to the camp, breaks the illusion of Carl’s apparent spell of madness with ‘his rescue’ of Carl by reciting some lines from Carl’s earlier portrayal of Goethe’s Mephistopheles on the stages in Prague, and by reminding him of their shared friendship and companionship before the terror was unleashed. Simultaneously, the backdrop of evil, and Faust’s pact with the devil is brought immediately into sharp focus, and is omnipresent in various forms throughout as the protagonists struggle with their sense of theatre and reality before and since life in the camp and their own use of illusion, illicit theatrical performances and dreams as a self-preservation strategy during their imprisonment.   Lines from Shakespeare and Goethe’s ‘Faust’ are interspersed with the characters’ own reflections and interactions and lift the characters to a higher plain, and beyond the immediate brutal circumstances and oppression. The slow-moving opening gives way to an ever-increasing momentum as external circumstances plunge the two main protagonists into situations which force them to the edge of humanity.   The work sounds very interesting indeed Patrick Spottiswode, Director, Globe Education The novella also exists as a play (updated by the author between 2011- 2013).

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      • Shakespeares
        Shakespeare plays
        October 2013

        Shakespeares

        Die unendliche Vielfalt der Bilder

        by Ina Schabert

        Melancholy poet of "Hamlet"? Patriotic author of "Henry V"? Theatre practitioner with a literary genius as a ghostwriter? Wise fool or brilliant hero? The ideas of Shakespeare's personality are as varied as one would not expect from one of the greatest poets in world literature. The Shakespeare specialist Ina Schabert looks at the English national poet from various angles. She is expressly not only addressing experts, but the broad community of Shakespeare lovers.

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