Frankfurt Rights

Your Search Results(showing 132)

    • Plays, playscriptsx
    Filter your results
    Filter your results
    • Events
    • Category
    • Seller
    • Publication Year
    • Original Language
    • Rights Available in Language
    • Publish Status
    • Publication Country or region
    • Rights Available in Territory
    • Offer Type
    • Permission selling companies
    • More
    View items
    • Trusted Partner
      Pap with an Hatchet by John Lyly
      Plays, playscripts
      November 2015

      Pap with an Hatchet by John Lyly

      An annotated, modern-spelling edition

      by Leah Scragg

      The first fully annotated, modern-spelling edition of Lyly's Pap with an Hatchet, this volume in the Revels Plays Companion Library series opens a window on the most neglected item in the Lylian canon. A response to a series of late sixteenth-century anti-episcopalian pamphlets issued under the pseudonym 'Martin Marprelate', Pap with an Hatchet seeks to beat Martin at his own game, employing all the devices deployed in the tracts to deride and subvert the Martinist position. Written in a racy, colloquial style, and at variance in its format with twenty-first century printing conventions, the pamphlet has remained difficult to access for the modern reader, and it is this barrier to a fuller understanding that the present edition has been designed to overcome. Re-edited from the earliest witnesses, brought into line with contemporary printing practice, richly annotated, and equipped with a substantial introduction, it enables a new insight into the witty interaction between the work and the Martinist tracts, the care underlying its composition, and the relish that Lyly brought to his task.

      More
    • Trusted Partner
      Pap with an Hatchet by John Lyly
      Plays, playscripts
      November 2015

      Pap with an Hatchet by John Lyly

      An annotated, modern-spelling edition

      by Leah Scragg

      The first fully annotated, modern-spelling edition of Lyly's Pap with an Hatchet, this volume in the Revels Plays Companion Library series opens a window on the most neglected item in the Lylian canon. A response to a series of late sixteenth-century anti-episcopalian pamphlets issued under the pseudonym 'Martin Marprelate', Pap with an Hatchet seeks to beat Martin at his own game, employing all the devices deployed in the tracts to deride and subvert the Martinist position. Written in a racy, colloquial style, and at variance in its format with twenty-first century printing conventions, the pamphlet has remained difficult to access for the modern reader, and it is this barrier to a fuller understanding that the present edition has been designed to overcome. Re-edited from the earliest witnesses, brought into line with contemporary printing practice, richly annotated, and equipped with a substantial introduction, it enables a new insight into the witty interaction between the work and the Martinist tracts, the care underlying its composition, and the relish that Lyly brought to his task.

      More
    • Trusted Partner
      The Knight of the Burning Pestle
      Plays, playscripts
      October 2004

      The Knight of the Burning Pestle

      Francis Beaumont

      by Sheldon P. Zitner

      This play is a celebration of London life and theatre in which Francis Beaumont's comic genius is given free rein. A grocer, his wife and their two apprentices attending the theatre in holiday mood interrupt and finally replace a fatuous love comedy with their own heart's desire: exotic spectacle and sound English sentiment. This edition presents an accurate modern-spelling text, with full historical and critical introduction and a detailed commentary. The introduction analyses the character of Beaumont's wit and his unsentimental critique of society and of society's stage image. It also places 'The Knight' in the contexts of Jacobean comedy and the work of the children's theatrical troupes. An appendix on the songs and a concern for details of production make this edition especially useful to actors and directors, as well as students of Renaissance drama.

      More
    • Trusted Partner
      The Tide Tarrieth No Man
      Plays, playscripts
      August 2012

      The Tide Tarrieth No Man

      by George Wapull

      by Peter Happe

      This volume is a photographic facsimile from the copy of the play by George Wapull in the Harry Ransom Centre.It was originally printed in 1576 by Hugh Jackson, and is one of only five extant copies. The introduction discusses the place of this play in Jackson's output, including two other interludes printed by him shortly afterwards. Besides compositorial practice and some irregularities, it addresses the identity of the author, historical detail about the surviving copies, and the editorial contribution of John Payne Collier. The text is rich in stage directions and aspects of performance are discussed including the doubling scheme for four players and the active role of the Vice. The play was written at a time when interludes designed for small acting troupes were popular and exhibited remarkable theatrical expertise. The intellectual context is considered, and in particular the place of this play among the considerable number of surviving interludes from London which focus upon wealth and its abuses and other matters of economic importance at the time.

      More
    • Trusted Partner
      Mother Bombie
      Plays, playscripts
      September 2014

      Mother Bombie

      John Lyly

      by Leah Scragg

      Mother Bombie is unique among Lyly's comedies in its urban setting and focus upon middle and lower class concerns. The play turns on the tissue of misconceptions surrounding the efforts of four fathers to secure socially advantageous marriages for their heirs, and the determination of their young servants to exploit their masters' misguided aspirations for their own advantage. A theatrical success in its own day, the play is of particular interest to twenty-first century criticism for its focus upon those situated on the margins of the social group, notably Mother Bombie herself, thought by some to be a witch, and the two simpletons whose marital prospects lie at the heart of the action. This fully annotated, modern-spelling edition of the play, now available in paperback, is re-edited from the earliest witnesses; the quartos of 1594 and 1598, and incorporates the songs first published by Blount in his collected edition of Lyly's works in 1632

      More
    • Trusted Partner
      Galatea and midas
      Plays, playscripts
      January 2007

      Galatea and midas

      John Lyly

      by Edited by George Hunter and David Bevington

      Galatea and Midas are two of John Lyly's most engaging plays. Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year 'the fairest and chastest virgin in all the country' be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. Galatea has become the subject of considerable feminist critical study in recent years. Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

      More
    • Trusted Partner
      Women Beware Women
      Literature & Literary Studies
      June 2017

      Women Beware Women

      By Thomas Middleton

      by J.R. Mulryne, David Bevington

      More
    • Trusted Partner
      The Troublesome Reign of John, King of England
      Literature & Literary Studies
      June 2016

      The Troublesome Reign of John, King of England

      By George Peele

      by David Bevington, Charles Forker, Charles R. Forker, Richard Dutton, Alison Findlay, Helen Ostovich

      Forker's critical edition fills the need for a fully annotated, historically contextualised and modernised text of the most important Elizabethan chronicle play apart from Shakespeare and Marlowe's Edward II. Now attributed definitely to George Peele, this drama helped to establish a major theatrical genre, raising contemporary political and religious issues through the dramatisation of medieval history in a compelling and popular fashion. A major source for Shakespeare, it throws new light on the bard's adaptation of earlier drama and helps to illustrate his working methods. With the full introduction and generous notes this Revels Plays edition will be the first port of call for students and enthusiasts of Elizabethan and early modern drama. ;

      More
    • Trusted Partner
      A Game at Chess
      Literature & Literary Studies
      February 1997

      A Game at Chess

      Thomas Middleton

      by T.H. Howard-Hill

      For many years Middleton's "A Game at Chess" was more notorious than read, considered rather a phenomenon of theatrical history than a pre-eminent piece of dramatic writing. "A Game at Chess" was a nine days' wonder, an exceptional play of King James' reign on account of its unprecedented representation of matters of state usually forbidden on the stage. The King's Men performed the play uninterruptedly between 5th and 14th August, 1624 at their Globe Theatre, attracting large audiences, before the Privy Council closed the theatre by the King's command. More recently, growing interest in the connections of economics and politics with authorship have promoted readings that locate the play so firmly within its historical context as propaganda that, again, its worthwhile literary and theatrical qualities are neglected. In writing "A Game at Chess", Middleton employed the devices of the neoclassical comedy of intrigue within the matrix of the traditional oral play. What might have seemed old-fashioned allegory was rejuvenated by his adoption of the fashionable game of chess as the fiction within which the play was set. The product of Middleton's experienced craftsmanship is at once deceptively simple and surprisingly complex. ;

      More
    • Trusted Partner
      Doctor Faustus
      Literature & Literary Studies
      April 1993

      Doctor Faustus

      A- and B- Texts 1604

      by David Bevington, Eric Rasmussen

      This volume in the "Revel Plays" series, offers reading editions, with modern spelling, of the 1604 and 1616 editions of Marlowe's play, arguing that the two cannot be conflated into one. Included are sources and commentary, literary criticism, style and staging/performance assessments. ;

      More
    • Trusted Partner
      Edward the Second
      Literature & Literary Studies
      September 1995

      Edward the Second

      Christopher Marlowe

      by Charles Forker

      The introduction to this edition contains an analysis of the first quarto (including new evidence of its original dating) and a reconsideration of the play's complex relation to the Shakespearean histories that preceded and followed it. Charles R. Forker offers a discussion of Marlowe's use of sources, and presents a new argument for the drama's five-act structure. He delves into the conflicting and controversial opinions concerning the genre and sexual politics of the play, and also includes a full record of the stage history. Forker has collated some 46 editions (including the important, rare and usually ignored editions of Broughton and Oxberry in 1818). The appendices provide substantive variants from the Broughton and Oxberry texts as well as extracts from the sources. ;

      More
    • Trusted Partner
      The Roaring Girl
      Literature & Literary Studies
      March 1990

      The Roaring Girl

      Thomas Middleton & Thomas Dekker

      by Paul Mulholland

      An annotated edition of an important Jacobean comedy, which is currently receiving greater attention from critics and on stage because the leading character is based on a famous personality of the time, Moll Cutpurse. The history of Moll Cutpurse and its subsequent influence on the women's movement and feminist concerns make this book relevant to women's study courses and this is edition incorporates variant readings found in only one copy of the quarto. ;

      More
    • Trusted Partner
      Plays on women
      Literature & Literary Studies
      November 1999

      Plays on women

      Anon, Arden of Faver

      by David Bevington, Kathleen McLuskie

      Based on the original and authoritative Revels texts, Plays on women brings together four plays which dramatise the lives of women in Shakespeare's England The only available anthology focusing on women and including the four plays most often discussed. . . . ;

      More
    • Trusted Partner
      The Jew of Malta
      Literature & Literary Studies
      February 1980

      The Jew of Malta

      Christopher Marlowe

      by N. Bawcutt

      Thorough annotation and commentary. Emphasis on the political, historical and religious allusions in the play. Presented in a clear and lucid form. ;

      More
    • Trusted Partner
      Sir Thomas More
      Literature & Literary Studies
      September 1990

      Sir Thomas More

      By Anthony Munday and others

      by Vittorio Gabrieli, Giorgio Melchiori

      The best edition of the play in print. Gives a radical re-examination of the manuscript, and relates step by step to the process by which the play acquired its final form. Accounts for every single word and mark found in the manuscript - reproduces rejected or alternative passages at the end of the text. Includes a detailed discussion of the authorship and date of the original text and so-called additions. Particularly important now as the play feeds into the present speculation concerning Shakespeare's Catholic roots. ;

      More
    • Trusted Partner
      Poetaster
      Literature & Literary Studies
      August 1996

      Poetaster

      Ben Jonson

      by Tom Cain

      Set in Ancient Rome, "Poetaster" offers one of the first and most subtle statements in English of the Augustan cultural ideal. Jonson contrasts Augustus' wise rule with an English polity dominated (like the stage) by malice, intrigue and envy. This text examines these different strands so skilfully interwoven by Jonson, and argues for a reassessment of "Poetaster" as one of the most ideologically interesting of all early modern plays. The accompanying explanatory notes guide the reader through the personal and political illusions which gave the play its immediate satirical impact. ;

      More
    • Trusted Partner
      The Shoemaker's Holiday
      Literature & Literary Studies
      July 1999

      The Shoemaker's Holiday

      by Thomas Dekker

      by David Bevington, Robert Smallwood, Stanley Wells, Richard Dutton, Alison Findlay, Helen Ostovich

      Thomas Dekker's The Shoemaker's Holiday is one of the most popular of Elizabethan plays, entertaining, racy and vivid in its characterisation. Revealing a vital portrait of Elizabethan London and the interaction of social classes within the city, its social commentary is on the whole optimistic, though darker tones are discernible. The play has the whole optimistic, though darker tones are discernible. The play has had a lively history of performance on both the professional and amateur stage; the roles of Simon and Madgy Eyre in particular have proved worthy vehicles for the talents of such performers as Sir Donald Wolfit and Dame Edith Evans, and a notable production was directed by Orson Wells. The editors offer a study of the text; a historical and critical introduction, which includes a study of the play's relationship with contemporary life and drama and of its place in Dekker's work; a stage history' a detailed commentary and a reprint of source materials. ;

      More
    • Trusted Partner
      The Maid's Tragedy
      Literature & Literary Studies
      March 1999

      The Maid's Tragedy

      Beaumont and Fletcher

      by David Bevington, T. W. Craik, Richard Dutton, Alison Findlay, Helen Ostovich

      Generally acknowledged to be the most powerful of Beaumont and Fletcher's plays and frequently performed by the best actors of the seventeenth and early eighteenth century, The Maid's Tragedy (1610-11) disappeared from the stage (except in a much-altered and very successful Victorian adaptation) until recent years, when major companies have rediscovered its appeal. In this fully annotated edition, the editor has given careful attention to the sense of the lines, the stage action and the verse. Many new emendations of textual errors, as well as improvements in stage directions and lineation, are either introduced or proposed. The introduction explores Beaumont and Fletcher's use of the three known sources (two of them previously neglected) for incidents in the play, gives the fullest available account of its stage history, and provides a sympathetic interpretation of the play as a romantic tragedy. ;

      More

    Subscribe to our

    newsletter

    Powered by:

    (c) Copyright 2025 - Frankfurt Rights. All Right Reserved