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      • Memoirs
        April 2022

        Scratching River

        by Michelle Porter

        Scratching River weaves multiple stories and voices across time to explore the strengths and challenges of the ways in which Métis have created, and continue to create, home through a storied and mobile social geography that is always on the move. The book foregrounds the story of a search for a home for Michelle Porter’s older brother, who holds dual diagnoses of schizophrenia and autism, and the abuse he endured at the rural Alberta group home that was supposed to care for him. Interspersed throughout are news clippings about the investigation into “The Ranch,” the home in question. Métis history is woven between the contemporary stories of the author, her brother, and her mother. As the pieces come together, the book uses the river as a metaphor to suggest that rather than a weakness, the ability to move and move again and to move on has enabled survival, healing, and ongoing reconciliation.

      • Biography & True Stories

        Bird-Bent Grass

        A Memoir, in Pieces

        by Kathleen Venema

        Bird-Bent Grass chronicles an extraordinary mother–daughter relationship that spans distance, time, and, eventually, debilitating illness. Personal, familial, and political narratives unfold through the letters that Geeske Venema-de Jong and her daughter Kathleen exchanged during the late 1980s and through their weekly conversations, which started after Geeske was diagnosed with Alzheimer’s disease twenty years later. In 1986, Kathleen accepted a three-year teaching assignment in Uganda, after a devastating civil war, and Geeske promised to be her daughter’s most faithful correspondent. The two women exchanged more than two hundred letters that reflected their lively interest in literature, theology, and politics, and explored ideas about identity, belonging, and home in the context of cross-cultural challenges. Two decades later, with Geeske increasingly beset by Alzheimer’s disease, Kathleen returned to the letters, where she rediscovered the evocative image of a tiny, bright meadow bird perched precariously on a blade of elephant grass. That image – of simultaneous tension, fragility, power, and resilience – sustained her over the years that she used the letters as memory prompts in a larger strategy to keep her intellectually gifted mother alive. Deftly woven of excerpts from their correspondence, conversations, journal entries, and email updates, Bird-Bent Grass is a complex and moving exploration of memory, illness, and immigration; friendship, conflict, resilience, and forgiveness; cross-cultural communication, the ethics of international development, and letter-writing as a technology of intimacy. Throughout, it reflects on the imperative and fleeting business of being alive and loving others while they’re ours to hold.

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