Your Search Results

      • Trusted Partner
        Teaching, Language & Reference
        February 2023

        Taking place

        Building histories of queer and feminist art in North America

        by Erin Silver

        Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of 'alternative' space and the possibilities the term affords for queer and feminist artistic imaginaries.

      • Trusted Partner
        The Arts
        June 2020

        There is no soundtrack

        Rethinking art, media, and the audio-visual contract

        by Ming-Yuen S. Ma, Amelia Jones

        There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art, media and the human sciences. In addition to directly addressing what Jonathan Sterne calls 'visual hegemony', it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such, it contributes to a growing interdisciplinary scholarship, building new, more complex and reverberating frameworks to collectively sonify the study of culture.

      • Trusted Partner
        The Arts
        June 2020

        There is no soundtrack

        Rethinking art, media, and the audio-visual contract

        by Ming-Yuen S. Ma, Amelia Jones

        There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art, media and the human sciences. In addition to directly addressing what Jonathan Sterne calls 'visual hegemony', it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such, it contributes to a growing interdisciplinary scholarship, building new, more complex and reverberating frameworks to collectively sonify the study of culture.

      • Trusted Partner
        The Arts
        June 2020

        There is no soundtrack

        Rethinking art, media, and the audio-visual contract

        by Ming-Yuen S. Ma, Amelia Jones

        There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art, media and the human sciences. In addition to directly addressing what Jonathan Sterne calls 'visual hegemony', it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such, it contributes to a growing interdisciplinary scholarship, building new, more complex and reverberating frameworks to collectively sonify the study of culture.

      • Trusted Partner
        The Arts
        June 2022

        There is no soundtrack

        Rethinking art, media, and the audio-visual contract

        by Ming-Yuen S. Ma, Amelia Jones

        There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art, media and the human sciences. In addition to directly addressing what Jonathan Sterne calls 'visual hegemony', it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such, it contributes to a growing interdisciplinary scholarship, building new, more complex and reverberating frameworks to collectively sonify the study of culture.

      • Trusted Partner
        Teaching, Language & Reference
        February 2023

        Taking place

        Building histories of queer and feminist art in North America

        by Erin Silver

        Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of 'alternative' space and the possibilities the term affords for queer and feminist artistic imaginaries.

      • The Arts
        September 2019

        SHEILA HICKS. Reencounter

        by Carolina Arévalo, Monique Lévi-Strauss, Soledad Hoces de la Guardia, Michel Gauthier

        Reencounter, is the publication of the exhibition presented at the Museo de Arte Precolombino held from August 2019 to January 2020 in Santiago, Chile. The book presents the artist's work that dialogues with contemporary art and the legacy of american indigenous art. As a student of Josef Albers and with an artistic formation based on Bauhaus philosophy, in 1975 Sheila Hicks set out on a trip through South America, from Venezuela to Tierra del Fuego, a fundamental experience in her formation. It was in that journey through the Andes where she learned about textile techniques and ancestral cosmovisions that would change her life and where, inspired by the landscape and architecture of the south of America, she began her own textile artwork.

      • The Arts
        April 2021

        Altered Views. Voluspa Jarpa

        by Voluspa Jarpa, Agustín Pérez Rubio, Sabine Breitwieser, Charles Esche, Andrea Giunta, Alberto Mayol, Cuauhtémoc Medina, Adriana Valdés

        Altered Views. Voluspa Jarpa is the publication of the Chilean Pavilion at the 58th Venice Biennale of Art, presented by Voluspa Jarpa and curated by Agustín Pérez Rubio. The project originates in a question the artist seeks to answer: how is the modernist, Eurocentric and colonial gaze configured? The gaze that later expands from Europe to the U.S. and constructs a symbolic contempt that is imposed as political, cultural and economic subjugation in non-hegemonic regions?Altered Views is an unprecedented research project that works as a cross-reference between various instances of European history from the 17th to the 20th Century, full of social manifestations, ethnographic searches and dominant powers, attempting to restore the conquered awe of the coloniser. The work seeks to rescue concepts coined from a Eurocentric perspective that shed light on the violence with which the world is reduced to an expansionist, developmentalist and hegemonic model. Altered Views is an invitation to reflect on issues that prevail and are still visible in our contemporary society. The volume contains a general text from the Chilean pavilion´s curator and editor of this book, Agustín Pérez Rubio explaining each part of the project; along with six different texts by Charles Esche, Sabine Breitwieser, Andrea Giunta, Adriana Valdés, Alberto Mayol and Cuauhtémoc Medina. These texts talk about the historical and contemporary repercussions of the hegemonic model.

      • The Arts
        December 2016

        Marcela Correa. Sculptures 1986-2015

        by Patricio Mardones, Smiljan Radic, Alberto Sato

        Marcela Correa, sculptor, graduated in Art at Universidad Católica de Chile. Her work is based on the various materials such as wood, stone and collected metal pieces that she combines, taking advantage of their own shapes and characteristics to achieve harmonious compositions that refer to the organic and the natural environment. Throughout her career, she has worked in partnership with the architect Smiljan Radic. Among his exhibitions are: Sculptures (Museo Nacional de Bellas Artes de Santiago, 1998), Natural Sintético (Natural Synthetic (Galería Animal, 2002), El Niño Escondido en un Pez (The Boy Hidden in a Fish) (XII Venice Architecture Biennale, 2010), Peso Muerto (Dead Weight) (Galería Animal, 2011 ), The Wardrobe and the Mattress (Hermes Tokyo Japan Gallery, 2013), and Difunta Correa (Galería AFA, 2014), Corral (Galería Patricia Ready, 2016). Her works form part of the collection of various museums and are located in public places.

      • Installation art

        Urban Intervention

        Design Ideas for the Public Space

        by Sandu Publishing

        Urban Interventions presents a rigorous selection of projects that have transformed streets, parks and derelict areas of cities all over the world into extraordinary public spaces, seeking people’s involvement through a wide variety of interactive and collaborative activities. Fully illustrated in color, the book includes installations, events and art works and offers a global and comprehensive vision of 21st century cities, as they become meeting places full of creative possibilities.

      • The Arts
        October 2016

        Magdalena Atria

        by Gerardo Mosquera, Cecilia Fajardo-Hill, Cristián Silva, Ricardo Loebell, Rodrigo Canala

        This publication displays the evolution of the Chilean artist Atria's work from the last twenty years, revealing a deeply personal way of addressing a wide range of references, from modernist abstraction to handcrafts and design. Going from the intimate to the monumental, her work offers in each case a specific encounter with objects, materials, and images visually compelling, open to multiple levels of meaning. The book includes essays by renowned curators and artists, throw light on different aspects of Atria's work.

      Subscribe to our

      newsletter