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      • Graffiti & street art
        October 2012

        Burn After Reading

        by RomanyWG

        Graffiti/Street Art - sometimes beautiful, sometimes ugly, but one thing is certain: they're breathtaking in their skill of execution. Collected here are 256 pages of the best photographed from around the world by RomanyWG.

      • Graffiti & street art
        June 2008

        Untitled. Street Art in the Counter Culture

        Street Art in the Counter Culture

        by Gary Shove

        Not to be filed under history, photography, design or non-fiction, as it contains outright lies and outrageous subjective opinion, this book is definitely about street art. It is also about now.

      • Graffiti & street art
        August 2009

        Untitled II.

        The Beautiful Renaissance

        by Gary Shove

        Brilliant successor to the first edition, this book about street art has again been created without the collaboration of the artists and certainly without the 'permission' of the wall owners.

      • Graffiti & street art
        April 2011

        Out of Sight

        Urban Art / Abandoned Spaces

        by RomanyWG

        Not all art craves attention, some of it hides in the secret places. Some of it is buried treasure, out in the urban wilderness, left scattered in empty rooms of derelict buildings like strange markings left by an unknown tribe.

      • Graffiti & street art
        October 2010

        Untitled III

        This is Street Art

        by Gary Shove

        We have previously claimed that Street Art is the most important art movement of our time. It was a deliberately provocative thing to say and we remain unapologetic for it. Is Street Art an extension and evolution of Graff or a corruption of Graff's pure rebel yell into an easy to swallow rebel lifestyle? This is Street Art. Make up your own mind.

      • Graffiti & street art
        August 2010

        Street Art Doodle Book

        Outside the Lines

        by Dave the Chimp

        This is a doodle book with a twist: it uses art more commonly found on the street. Some of the coolest street artists from around the world have contributed drawings, puzzles and characters designed to inspire creativity. The book features artworks by over sixty of the world's most famous and inventive graffiti artists. And all of these pieces have been created with a view to engaging the budding street artist to complete them in their own way. The book will appeal to hip parents and fans of street art aged six upwards.

      • Graffiti & street art
        July 2014

        Banksy. You Are An Acceptable Level of Threat and If You Were Not You Would Know About it

        by Gary Shove, Patrick Potter

        The single best collection of photographs of Banksy's street work. Period. You Are An Acceptable Level of Threat concentrates on this singular artist's iconic imagery, spanning the late '90s up until the end of 2011.

      • Graffiti & street art
        September 2019

        Instafame

        Graffiti and Street Art in the Instagram Era

        by Macdowell, Lachlan

        Instafame charts the impact of Instagram—one of the world's most popular social media platforms—on visual culture in the mere eight years since its launch. MacDowell traces the intuitive connections between graffiti, street art, and Instagram, arguing that social media's unending battle for a viewer's attention is closely aligned with eye-catching ethos of unsanctioned public art. Beginning with the observation that the scroll of images on a sideways phone screen resembles nothing so much as graffiti seen through the windows of a moving train, Macdowell moves outward to give us a wide-ranging look at how Instagram has already effected a dramatic shift in the making and viewing of street art.

      • Graffiti & street art
        September 2019

        Instafame

        Graffiti and Street Art in the Instagram Era

        by Macdowell, Lachlan

        Instafame charts the impact of Instagram—one of the world's most popular social media platforms—on visual culture in the mere eight years since its launch. MacDowell traces the intuitive connections between graffiti, street art, and Instagram, arguing that social media's unending battle for a viewer's attention is closely aligned with eye-catching ethos of unsanctioned public art. Beginning with the observation that the scroll of images on a sideways phone screen resembles nothing so much as graffiti seen through the windows of a moving train, Macdowell moves outward to give us a wide-ranging look at how Instagram has already effected a dramatic shift in the making and viewing of street art.

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