Your Search Results(showing 22)

    • History of art & design styles: c 1400 to c 1600x
    • Trusted Partner
      History of art & design styles: c 1400 to c 1600
      November 2014

      The matter of art

      Materials, practices, cultural logics, c.1250–1750

      by Edited by Christy Anderson, Anne Dunlop and Pamela H. Smith

      Materials carried the meaning of early modern art. Transformed and crafted from the matter of nature, art objects were the physical embodiment of both the inherent qualities of materials and the forces of culture that used, refined and produced them. The study of materials offers a new approach to this important period in the history of art, science and culture, linking the close study of painting, sculpture and architecture to much wider categories of the everyday and the exotic. Drawing on new research and models from anthropology, material culture and the history of art, scholars in The matter of art explore topics as diverse as Inka stonework, gold in panel painting, cork platforms for shoes, and the Christian Eucharist.

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    • Trusted Partner
      Humanities & Social Sciences
      October 2018

      Local antiquities, local identities

      Art, literature and antiquarianism in Europe, c. 1400–1700

      by Francesco Benelli, Kathleen Christian, Bianca de Divitiis, Krista de Jonge, João R. Figueiredo, Oren J. Margolis, Fernando Marías, Katrina Olds, Konrad Ottenheym, Richard Schofield, William Stenhouse, Edward H. Wouk, Barbara Arciszewska, Jenna M. Schultz

      This collection investigates the wide array of local antiquarian practices that developed across Europe in the early modern era. Breaking new ground, it explores local concepts of antiquity in a period that has been defined as a uniform 'Renaissance'. Contributors take a novel approach to the revival of the antique in different parts of Italy, as well as examining other, less widely studied antiquarian traditions in France, the Netherlands, Spain, Portugal, Britain and Poland. They consider how real or fictive ruins, inscriptions and literary works were used to demonstrate a particular idea of local origins, to rewrite history or to vaunt civic pride. In doing so, they tackle such varied subjects as municipal antiquities collections in Southern Italy and France, the antiquarian response to the pagan, Christian and Islamic past on the Iberian Peninsula, and Netherlandish interest in megalithic ruins thought to be traces of a prehistoric race of Giants.

    • Trusted Partner
      Humanities & Social Sciences
      October 2018

      Local antiquities, local identities

      Art, literature and antiquarianism in Europe, c. 1400–1700

      by Francesco Benelli, Kathleen Christian, Bianca de Divitiis, Krista de Jonge, João R. Figueiredo, Oren J. Margolis, Fernando Marías, Katrina Olds, Konrad Ottenheym, Richard Schofield, William Stenhouse, Edward H. Wouk, Barbara Arciszewska, Jenna M. Schultz

      This collection investigates the wide array of local antiquarian practices that developed across Europe in the early modern era. Breaking new ground, it explores local concepts of antiquity in a period that has been defined as a uniform 'Renaissance'. Contributors take a novel approach to the revival of the antique in different parts of Italy, as well as examining other, less widely studied antiquarian traditions in France, the Netherlands, Spain, Portugal, Britain and Poland. They consider how real or fictive ruins, inscriptions and literary works were used to demonstrate a particular idea of local origins, to rewrite history or to vaunt civic pride. In doing so, they tackle such varied subjects as municipal antiquities collections in Southern Italy and France, the antiquarian response to the pagan, Christian and Islamic past on the Iberian Peninsula, and Netherlandish interest in megalithic ruins thought to be traces of a prehistoric race of Giants.

    • Trusted Partner
      The Arts
      September 2016

      Marcantonio Raimondi, Raphael and the image multiplied

      by Edward H. Wouk, Leslie A. Geddes, Jun Nakamura, Lisa Pon, David Morris, Edward H. Wouk, Henri Zerner, Tatiana Bissolati, Guido Rebecchini, Kathleen Christian, Paul Joannides, Bryony Bartlett-Rawlings, Beverly Louise Brown, Patricia Emison, Catherine Jenkins, Madeleine Viljoen, Sarah Vowles, Jamie Gabbarelli, Peter Black, Barbara Furlotti, Steven Milner, Jenny Spinks, Rheagan E. Martin, Sophie Gordon Cumming, Imogen Harley, Jemima Rose, Heather Garner, Max Weaver, Albert Lindsell, Peter Hayes, Monique Nievas, Holly Smallbone, James Wildgoose

      Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.

    • Trusted Partner
      The Arts
      June 2023

      Albrecht Dürer’s material world

      by Edward H. Wouk, Jennifer Spinks

      The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery's outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer's art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

    • Trusted Partner
      The Arts
      June 2023

      Albrecht Dürer’s material world

      by Edward H. Wouk, Jennifer Spinks

      The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery's outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer's art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

    • Trusted Partner
      The Arts
      June 2023

      Albrecht Dürer’s material world

      by Edward H. Wouk, Jennifer Spinks

      The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery's outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer's art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

    • Trusted Partner
      Humanities & Social Sciences
      December 2023

      Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania

      by Tomasz Grusiecki

      Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation.

    • Trusted Partner
      Humanities & Social Sciences
      December 2023

      Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania

      by Tomasz Grusiecki

      Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation.

    • Trusted Partner
      Humanities & Social Sciences
      December 2020

      Bulletin of the John Rylands Library 96/2

      by Stephen Mossman, Cordelia Warr

      The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.

    • Trusted Partner
      Humanities & Social Sciences
      December 2021

      Bulletin of the John Rylands Library 97/2

      by Stephen Mossman, Cordelia Warr

      The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.

    • Trusted Partner
      The Arts
      June 2021

      Goddesses and Queens

      The iconography of Elizabeth I

      by Annaliese Connolly, Lisa Hopkins

      The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen's extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches and alchemical treatises. The collection broadens current critical thinking about Elizabeth, as each of the essays contributes to the debate about the ways in which the queen's developing iconicity was not simply a celebratory mode, but also encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects

    • Trusted Partner
      Humanities & Social Sciences
      December 2023

      Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania

      by Tomasz Grusiecki

      Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation.

    • Trusted Partner
      The Arts
      January 2025

      Refashioning the Renaissance

      Everyday dress in Europe, 1500–1650

      by Paula Hohti

      How did ordinary men and women dress in early modern Europe? What fabrics and garments formed the essential elements of fashion for artisans and shopkeepers? Did they rely on affordable alternatives to the silks, jewellery, and decorations favoured by the wealthy elite? Or did those with modest means find innovative ways to express their fashion sense? This book provides new perspectives on early modern clothing and fashion history byinvestigating the consumption and meaning of fashionable clothing and accessories among the 'popular' classes. Through a close examination of the materials, craftsmanship and cultural significance of fashion items owned by and available to a broad group of consumers, it challenges conventional assumptions that the everyday dress of ordinary families was limited to a narrow selection of garments made of coarse textiles, often produced at home and resistant to change.

    • Trusted Partner
      The Arts
      July 2025

      Renaissance skin

      by Evelyn Welch

      A magnificently illustrated study of skin in Renaissance Europe. People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin - the clothing of the body - was thought to be dangerously porous. In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations? Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences.

    • The Arts

      The Livre de la Chasse

      by Claude d’Anthenaise (Musée de la Chasse et de la Nature), Claudine Pailhès (Archives Départamentales de l’Ariège), Yves Christe (Université de Genève), Inès Villela-Petit (Bibliothèque nationale de France), Pascal Bergerault (Université de Tours)

      The Livre de la Chasse (Book of the Hunt) was written by Gaston Fébus, count of Foix and expert huntsman. For many years this treatise was famous for both the quality of its hunting lessons and its extraordinary illuminations: a masterpiece of early-fifteenth-century manuscript production in Paris, and one of the very few educational books to be illustrated as lavishly as a Bible. Besides the lessons it contains, this treatise also presents hunting as a redeeming exercise enabling hunters to go straight to Heaven by endowing them with an upright body and mind. The different renowned artists who worked on this manuscript placed their art at the service of Gaston Fébus’s desire to teach, thereby setting out not merely a lesson of hunting but a lesson of life CONTENTS: From the editor to the reader Manuel Moleiro Foreword Claude d’Anthenaise (Director of the Musée de la Chasse et de la Nature) Gaston Fébus. A lord of light, a lord of darkness Claudine Pailhès (Former director of the Archives Départamentales de l’Ariège) The production and history of Livre de la Chasse manuscripts Yves Christe (Profesor emérito, Université de Genève) Français 616 and its illuminators Inès Villela-Petit (Art historian, Bibliothèque nationale de France) Iconography of the Livre de la Chasse. The excellence of Français 616 Yves Christe Livre de la Chasse Pascal Bergerault (Université de Tours) Livre des Oraisons Pascal Bergerault Bibliography VIDEO: English: https://www.youtube.com/watch?v=JhQaGm-bYGc&list=PLGapGlViYRH0rKAb4dC7HWSzDf0uDoWw_&index=5 Spanish: https://www.youtube.com/watch?v=nOqLa9juxvk&list=PLGapGlViYRH0rKAb4dC7HWSzDf0uDoWw_&index=2 French: https://www.youtube.com/watch?v=D22n7EydfnY&list=PLGapGlViYRH0rKAb4dC7HWSzDf0uDoWw_&index=3 MORE INFORMATION: https://www.moleiro.com/en/miscellanea/le-livre-de-chasse-by-gaston-phebus.html

    • Humanities & Social Sciences
      September 2015

      Emotions, Passions, and Power in Renaissance Italy

      by Edited by Fabrizio Ricciardelli and Andrea Zorzi

      The physical and mental capacity of having emotions is universal. The methods through which these emotions are perceived, expressed, and shared are always depending by the codified rules imposed by the society and the personal background. Emotions depend on language, cultural practices, expectations, and moral beliefs. This means that every culture has its rules for feelings and behavior; every culture thus exerts certain restraints while favoring certain forms of expressivity. Hate, fear, cruelty, and love are always turning history into the history of passion and lust, because emotional life is always ready to overflow intellectual life. This fascinating study of emotion in Renaissance Italy shows that emotions are built and created by the society in which they are expressed and conditioned. The contributors examine, among others, the emotional language of the court, around public execution, religious practices and during outbreaks of disease.

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