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      • Trusted Partner
        The Arts

        The Archive of Thangka Culture in China: Chamdo Volume

        by Feng Jicai

        The Archive of Thangka Culture in China: Chamdo Volume is the full records of the history and current situation of Thangka culture in the Chamdo region. It systematically introduces the origin and characteristics of Chamdo Thangka and gives a comprehensive and authoritative interpretation on its iconographical symbolic significance and cultural function. With detailed records of distinctive characteristics of Chamdo Tangka, including its materials, tools, painting technologies, multiple contemporary forms, schools of inheritance, painters' profile, exchange and circulation, as well as relevant theories of painting, the book is considered of great significance for recording and inheriting profound traditional Chinese cultures.

      • Trusted Partner
        The Arts

        The Archive of Thangka Culture in China: Gannan Volume

        by Feng Jicai

        The Archive of Thangka Culture in China: Gannan Volume is the full records of the history and current situation of Thangka culture in the Lapaleng Temple-centered Gannan region. It systematically introduces the origin and characteristics of Gannan Thangka and gives a comprehensive and authoritative interpretation on its iconographical symbolic significance and cultural function. With detailed records of distinctive characteristics of Gannan Tangka, including its materials, tools, painting technologies, multiple contemporary forms, schools of inheritance, painters' profile, exchange and circulation, as well as relevant theories of painting, the book is considered of great significance for recording and inheriting profound traditional Chinese cultures.

      • Trusted Partner
        The Arts

        The Civilization of Paper in Villages

        An Investigation and Research on the Culture of Papercutting of Ethnic Minorities in China

        by Qiao Xiaoguang

        The Civilization of Paper in Villages: An Investigation and Research on the Culture of Papercutting of Ethnic Minorities in China is a monographic series presenting the field research studies on Chinese traditional papercut conducted by the Intangible Cultural Heritage Research Center of the Central Academy of Fine Arts for 15 years. The series has 8 volumes, archiving for the first time the research information about Chinese papercut, a world-class intangible cultural heritage and more than 20 ethnic minorities such as Tibetan, Dai, Hani, and Bulang. With a total of more than 2 million Chinese words and nearly 10,000 pictures, it shows the readers the diversity of ethnic culture and paper-cutting art in China.

      • Trusted Partner
        The Arts

        A Millennium from the Perspective of Arts – China in Classical Paintings (6 Volumes)

        by Li Shubo

        A Millennium from the Perspective of Arts – China in Classical Paintings tells the stories of China from paintings of different ages. It consists of six volumes, covering the Northern Song Dynasty, the Southern Song Dynasty, the Yuan Dynasty, the Ming Dynasty, the Qing Dynasty, and the Republic of China. By introducing the details of the works and observing the artists' creative mentality, the book not only tells the big pictures of politics, military, economy, technology, and humanity in different historical periods, but also shows the daily life and aesthetics of ancient China.   As a Norwegian Chinese cultural scholar, the author Li Shubo adopts a special perspective in the book by combining the achievements of overseas Chinese studies with contemporary archaeology and art history, and uses simple language presenting a comprehensive, profound and thought-provoking picture of Chinese civilization.

      • Trusted Partner
        The Arts

        The Complete Collection of Calligraphic Works by Su Dongpo

        by Wang Lianqi

        The Complete Collection of Calligraphic Works by Su Dongpo was edited by Mr. Wang Lianqi of the Palace Museum in China and jointly published by the Palace Museum Press and Qingdao Publishing House. It is the first comprehensive collection of Su Dongpo's surviving calligraphic works of handwritings, copybooks and inscriptions collected by the Palace Museums on both sides of the Taiwan Straits and museums at home and abroad, and the first comprehensive collection of Su Dongpo's surviving calligraphic works in the cultural and artistic circles, with unprecedented quantity and quality rarely seen in previous publications.   The Complete Collection is a set of 6 volumes, including 2 volumes of handwritings, 3 volumes of copybooks and 1 volume of inscriptions. The book consists of 43 handwritings, 15 copybooks and 8 inscriptions of Sudongpo scattered in major museums, collection units and libraries in China and abroad. The inscription of ChenKui pavilion tablet rubbing of Song Dynasty (Song Ta Chen Kui Ge Bei) collected in the Book Mausoleum Department (Shoryobu) of the Imperial Household Agency of Japan was published publicly for the first time in China; The inscription of Mr. Zhao Qingxian’s tombstone rubbing of Ming Dynasty of China (Ming Ta Zhao Qing Xian Gong Bei) collected in Shanghai Library in China has not been published in recent years and this is the first publication since the Republic of China; The copybook of Sudongpo's tablets published by Wanxiangtang in Ming Dynasty of China (Ming Ta Wan Xiang Tang Su Tie) collected in the Palace Museum in China is the largest work of in this book and this is also the first time that this masterpiece has been published publicly in China.

      • Trusted Partner
        The Arts

        The Archive of Thangka Culture in China: Zangniang Volume

        by Feng Jicai

        The Archive of Thangka Culture in China: Zangniang Volume is the full records of the history and current situation of Thangka culture in the Zangniang region, Yushu prefecture, Qinghai. It systematically introduces the origin and characteristics of Zangniang Thangka and gives a comprehensive and authoritative interpretation on its iconographical symbolic significance and cultural function. With detailed records of distinctive characteristics of Zangniang Tangka, including its materials, tools, painting technologies, multiple contemporary forms, schools of inheritance, painters’ profile, exchange and circulation, as well as relevant theories of painting, the book is considered of great significance for recording and inheriting profound traditional Chinese cultures.

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