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      • The Arts

        The Russian Itinerants

        by Elena Nesterova

        This group of Russian painters, whose work is litt le known in the West, was the most remarkable in the history of Russian art. Founded in the mid-19th century, the Society for Itinerant Art Exhibiti ons (known as Peredvizhniki in Russian) consisted of a group of realist painters who decided that the best way for their work to be seen was to hold exhibitions in the Salon style of the French painters of the time, but in the form of travelling shows which moved around Russia. This helped to popularise the work of these painters, and of Russian art in general, and it helped them to sell their paintings and thus finance their work. The painters travelled with the exhibitions, recording the lives and customs of their fellow countrymen, and providing an insight into the life in Tsarist Russia, right up until the 1918 Revolution

      • The Arts

        The Great History of Russian Ballet

        by Evdokia Belova, E Bocharnikova

        Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.

      • Individual artists, art monographs

        Lucas Cranach The Elder

        by Alexander Stepanov

        Lucas Cranach (1472-1553) was one of the greatest artists of the Renaissance, as shown by the diversity of his artistic interests as well as his awareness of the social and political events of this time. He developed a number of painting techniques which were afterwards used by several generations of artists. His somewhat mannered style and spending palette are easily recognized in numerous portraits of monarchs, cardinals, courtiers and their ladies, religious reformers, humanists and philosophers. A part of the Great Painters Collection, translated from the Russian by Paul Williams. 109 full color plates and numerous black and white and two-color illustrations interspersed by text. Includes a chronological table of the work of Cranach and his notable contemporaries.

      • The Arts

        Rosa Bonheur

        by Frank Hird

        From her earliest infancy, Rosa Bonheur showed signs of the talent that has placed her very high as a painter of animals. Before she could walk she would amuse herself for hours with a pencil and a piece of paper, It was then that she began to study animal life with a minuteness extraordinary in so young a girl. The art of Rosa Bonheur was her life. She lived only for her work, applying herself to its least details with sincerity and vigour, which were the essenti al traits of her character. There was a strongly masculine strain in her temperament, and this found its expression through her brush. Her pictures possess no feminine soft ness or subtlety; they are fi rm in outline, assured and masterly in colour, and so easily understood by all the world that the profound knowledge they display is frequently over-looked. It was with the Ploughing in Nivernais, exhibited in 1849, that Rosa Bonheur fi rst achieved the positi on she occupied unti l her death. Its force and simplicity, its fi delity to nature, gave the picture an instant success, but she touched something more than success; she achieved fame.

      • Individual artists, art monographs

        Jean Honoré Fragonard

        by Edmond and Jules Goncourt

        Jean-Honoré Fragonard (1732- 1806), Fragonard closes, with a burst of fireworks, the curve of the eighteenth century opened by Watteau with his fairy poems of love and melancholy. Watteau was ethereal and profound; Fragonard was merely light. He amuses us while amusing himself; he is never moved. He painted mainly fêtes-galantes in Rococo style. Pupil of François Boucher, Fragonard also studied under Chardin. Always remembering Boucher’s advice, he depicted romantic gardens, with their fountains, grottos, temples and terraces where one can also recognise the influence of Tiepolo. With King Louis XV as a patron he turned himself towards the depiction of the pleasure-loving and licentious court, scenes of love and voluptuousness.

      • The Arts

        Antoine Watteau

        by Youri Zolotov, Vera Alexeyeva, Tatiana Kamenskaya

        Antoine Watteau (1684-1721), Watteau incarnates all the grace, all the intelligence, all the poetry of the eighteenth century, when French tastes were triumphant throughout the whole of Europe. He is well known as one of the key figures of Rococo art. He excels in scenes of everyday life and theatrical costumes. His world is indeed highly artificial, depicting some melancholy under apparent frivolity, reflecti ng the deep sense of love beyond the pleasure of the flesh, the enigmatic atmosphere brooding over his landscapes and the drooping glance of lovers’ eyes. He alone possessed that genius for colour which conveys a sense of softness and mystery, a sense of music everywhere; that vigorous draughtsmanship which proclaims him equal to the greatest; that natural poetry arising from the dreams.

      • The Arts

        Caspar David Friedrich

        by Victoria Charles

        Caspar David Friedrich (1774-1840), a prominent German painter of the 19th century, was a vital figure in the Romantic movement. His artwork is characterised by its poetic and melancholic essence, displaying a profound sense of spirituality and transcendence. In his paintings, he masterfully blended external nature depictions with deep inner symbolism. His often desolate landscapes and grand architecture evoke a yearning for peace, solitude, and spiritual elevation. The skilful utilisation of light and shadow in his composition amplifies the emotional resonance of Friedrich's art, imbuing it with an almost mystical quality. The artistic legacy of Caspar David Friedrich continues to influence contemporary landscape painting. His unparalleled aptitude for capturing the infinite within the finite renders his work a timeless representation of humanity's quest for transcendence and spiritual connection. This biography delves into the life and creations of this remarkable artist, celebrating his invaluable contributions to the evolution of Romantic painting.

      • Art techniques & principles

        1000 Watercolours of Genius

        by Victoria Charles

        The watercolour technique was for a long time the great companion to drawing. A mixture of water and pigments permitting great artistic freedom, it was often employed for preparatory sketches. Albrecht Dürer was one of the first to take advantage of all that watercolour offered. In the 18th century, English artists created of it an autonomous medium freed from academic constraints, an evolution which would have a considerable impact for following generations. Amongst the most famous artists to have produced watercolours, we find Turner, Whistler, Constable, Sargent, Van Gogh, Kandinsky, Klee, and Schiele.

      • The Arts

        Albert MARQUET

        by Mikhail GUERMAN

        It is a paradox that Marquet belongs more to the past and future than to the present. His art awaits the silence that is yet to fall. He nevertheless teaches us to appreciate the riches of meditation, directing us to that exalted place of peace so central to his vision.

      • The Arts

        Bakst

        by Elisabeth Ingles

        At the beginning of the XXth century, there was an unprecedented explosion of creativity in all artistic fields. Overwhelming both Europe and North America, the Russian Ballet revolutionized theatrical design with their stage sets and their costumes that were ablaze with colour yet refind in effect, bearing much of the mystic of the Orient yet also visually influenced by the work of the Persian miniaturists. Together with Diaghilev, Léon Bakst showed himself to be the most talented of the theatre group designers of his time. The costumes he devised with exclusive art seemed to shimmer with a thousand colours. Dazzled by such powers of imagination, the author, Jean Cocteau, dedicated his book "Bonjour Monsieur Bakst" to him. The great contemporary composers Tchaïkovsky, Rimsky-Korsakov and Stravinsky, among others, all had occasion to call upon his creative genius. Today, his designs remain very popular and may still be seen on stage scenes all over the world, admired by a public that remains as enthusiastic as ever.

      • Decorative arts

        The Art of Cigar Bands

        by Philippe Mesmer

        Cigar-bands have sdorned cigars for more than 150 years. Until World War I they were produced and printed to the hightest quality using the best methods available, with the result that many cigar-bands of the time are genuine works of art. Images depicted on the bands are varied, but specific themes may be distinguished – flowers and foliage, for example, or heraldic ‘charges’, or of course portraits of contemporary rulers and celebrities. This book features nearly 1,800 cigar-bands drawn from the collection of Roger van Reeth, including some of the most beautiful, some of the rarest and some of the oldest. Their presence adds something special to what is already a special publication: the Flavour, perhaps, of a superb Havana cigar.

      • The Arts

        Symbolism

        by Alfred Hunt

        Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th-century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious. The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Félicien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of the movement.

      • Individual artists, art monographs

        Pablo Picasso Masterwoks

        by Victoria Charles, Anatoli Podoksik

        For many people, Pablo Picasso (1881-1973) was undoubtedly the most important artist of the 20th century. Born in Málaga, Spain, Picasso revealed his genius at a very early age and was quick to make contact with the most advanced art circles of his time, first in Barcelona and later in Paris. In the modernist quest for novelty, Picasso turned to pre-modern history and “primitive” art for inspiration. We owe him and his colleague Georges Braque the invention of Cubism, not just one of many avant-garde movements but the aesthetic that would change the art of painting forever. Once free from traditional values, Picasso produced an outstanding oeuvre, both in terms of variety and quality.

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