Only the paranoid can see the conspiracy. And only those who see it, can tell it.

The protagonist of this story is a TV screenwriter. Curious eyes follow her on the street, she receives threatening phone calls, her scripts appear with miserious modifications, and she keeps getting intercepted by a spy in the most various disguises.

This is how she gets entangled in a flawed sci-fi intrigue: the important information isn’t properly hidden and the villains don’t seem to want to hide their plans. Is it worst to ignore, or to know?

Fernando Calvi plays with the basic elements of this genre (aliens, heroes, power) and displays all of its rules. Those who can follow them precisely may destroy the Final Boss.

The protagonist from To the king of constantinople is a TV screenwriter. Laughing eyes follow her around, she receives threatening phone calls, her screenplays are rewritten, and a spy hidden in the most various disguises keeps getting in her way. Just like that she will get entangled in a deficient sci-fi conspiracy: information is not duly hidden, and the villains don’t seem to want to hide their plans. What’s worse: to know or to ignore?