Railway Modernity in China
The Temporal-Spatial Experience and the Cultural Imagination of Trains, 19840-1937
by Li Siyi
Description
The railway invention propelled the rediscovery of the world!
For a long time, railways and trains, as the most dazzling products of modern technological civilization, have naturally been regarded as symbols of modernity. The railway was born to rediscover the world. It has changed the way we feel time and space and reshaped our grasp of the world. It plays a valuable role in the social economy and penetrates the field of history and culture.
Chronically-structured, RAILWAY MODERNITY IN CHINA, traces the naming story of the railway from the late Qing Dynasty to the Republic of China: the visuals and images in the Dianshizhai Pictorial (點石齋畫報), the debate between the Wusong Railway (吳淞鐵路)and the Westernization Movement (洋務運動), Sun Yat-sen’s (孫中山) railway planning and national construction, the six different aspects of railway travel and literary writing during the Republic of China, the railway experience and literary expression of modern subjects and strangers, under the theme of time and space, cultural imagination relating to railways and trains, rethinking many issues of modernity.
Li Siyi used the railway as a method, an opportunity, and a key to understanding Chinese modernity. Li explores the railway adaptation after its entrance into China from 1840 to 1937, tracing its impact from the late Qing Dynasty to the Republic of China and how the experience connects with the modern imagination. When the railway becomes the intermediary between man and the world, how do "China" and "modern Chinese" use language cognition, visual perception, and event discourse to be parallel and indispensable in such a "human-railway-world." Smoke takes shape in illustrating this division.
The story about the railway is endless. There is a cave with culture and thought behind it, which is worthy of in-depth study. Because whether it is railways or modernity, we don't know them in a self-righteous way.
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Author Biography
Li Siyi, Doctor of Philosophy, Department of Cultural and Religious Studies, The Chinese University of Hong Kong. He graduated from the Humanities Experimental Class of Wuhan University and obtained a master's degree in cross-cultural studies and linguistics from the Chinese University of Hong Kong. He was a Visiting Fellow at Harvard-Yenching Institute (Aug 2016-Dec 2017). His research interests focus on modernity theory, modernist literature and art, modern Chinese literature, intellectual history, visual culture, European philosophy, etc. He currently teaches part-time at the Chinese University of Hong Kong and the Education University of Hong Kong, teaching courses "Modernity and Urban Culture," "Literature and Film," "May 4th Intellectuals: History and Texts," and published several research papers.
Ailbert Cultural Company Limited
Ailbert Cultural Company Limited was established in 2012 with the original purpose of promoting the works of Taiwanese writers to Mainland China, and then expanding the translation rights territory to Southeast Asia such as Thailand, Vietnam, and Indonesia, as well as the UK, US and European markets. Since 2018, we started to authorize TV/film rights across the world on behalf of our representative authors. 安伯文化事業有限公司成立於2012年,最初宗旨是將台灣作家的著作推向中國大陸,隨後拓展版權版圖至泰國、越南、印尼等東南亞地區,以及英美歐書市。我們授權代理的知名台灣導演和藝人作家包括:吳念真導演(《這些年,那些事》,中簡版在中國暢銷逾50萬冊)、小S(《國際廚娘的終極導師》)、陳昇(《9999滴眼淚》、《鹹魚的滋味》等共7本書)、曲家瑞(《誰說我沒有影響力》等共3本書)、黃子佼(《我還在》)、鄭華娟(《氣質卡小狗學堂》);以及台灣年度暢銷作家:肆一(《可不可以,你也剛好喜歡我?》等共4本書)、Peter Su(《夢想這條路踏上了,跪著也要走完》等共3本書;同時代理著作文學小說家,包括囊括多座文學獎項的張貴興(《野豬渡河》和《沙龍祖母》等3本小說)、香港知名小說家董啟章(《愛妻》和《命子》等2本小說);自2018年為旗下代理作家授權影視版權,包括董啟章的《體育時期》授權全球電影版權等。
View all titlesBibliographic Information
- Publisher China Times Publishing Company
- Publication Date December 2020
- ISBN/Identifier 9789571384214
- Publication Country or regionTaiwan
- FormatPaperback
- Pages416
- ReadershipGeneral
- Publish StatusPublished
- Original Language Title鐵路現代性
- Original Language Authors李思逸
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