Partners in suspense
Critical essays on Bernard Herrmann and Alfred Hitchcock
Edited by Steven Rawle, Kevin J. Donnelly
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Author Biography
Steven Rawle is Associate Professor in Film and Media at York St John University K. J. Donnelly is Reader in Film at the University of Southampton
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date December 2016
- Orginal LanguageEnglish
- ISBN/Identifier 9780719095863
- Publication Country or regionUnited Kingdom
- FormatHardback
- Primary Price 70 GBP
- Pages240
- ReadershipGeneral
- Publish StatusPublished
- Dimensions234 x 156 mm
- Biblio NotesIntroduction - K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer - Jack Sullivan 2. Hitchcock, music and the mathematics of editing - Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo - Kevin Clifton 4. The therapeutic power of music in Hitchcock's films - Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock - Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much - Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960) - Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite - David Cooper 9. The sound of The Birds - Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964) - K. J. Donnelly 11. The murder of Gromek: theme and variations - Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography - Gergely Hubai 13. The Herrmann-Hitchcock murder mysteries: post-mortem - William H. Rosar 14. How could you possibly be a Hitchcocko-Herrmannian?: Digitally re-narrativising collaborative authorship - Steven Rawle Index