“Like Cole Porter, Sarah Perrier turns a world-weary and tender gaze toward the unruly carnival we call love. Perrier shrugs off the post-modern shrugs. In these elegant, wise-cracking, and subversive poems, the inherent estrangement, deception, and screwball comedy of romance is revealed and savored. With the smarts and prescience of Lear’s fool, with the mischief of both Ariel and Caliban, she gene-slices the comic into the tragic, the tragic into the comic, to make a new and radiantly original poetry.” –Eric Pankey
The Kent State University Press is the publishing arm of Kent State University. Our imprint is controlled by an editorial board composed of Kent faculty scholars. As a member of the Association of American University Presses, the Press is included in the select group of more than 100 university-sponsored scholarly presses, whose outstanding programs make them an important segment of the academic and publishing communities.The Press began in 1965 under the direction of Howard Allen and published in the University faculty strengths in literary criticism. In 1972 Paul Rohmann became the Press’s second director and expanded the Press’s publishing program to include regional studies and ethnomusicology. In 1985 historian John Hubbell assumed the directorship and grew the staff and publishing program to include widely regarded lists in Civil War and Ohio history. Today, under director Will Underwood, the Press annually publishes two journals and 35 titles in history, literature, and regional studies that further knowledge of the humanities and preserve and promote a literate society.