The publisher, the critic and the writer meet by chance at a party. The war begins. Job, a well-known but poor writer, is trying to sell his last child: a novel. The bread puts the author's concern before the publisher and his social commitment to the critic. The author, critic and publisher represent the three major social discourses, and the author of the play critiques the cultural atmosphere of Iran in the form of these three discourses. It is also in the language of humor. Serious intellectual debates in the form and context of ridiculous and absurd satire that further alienate the writer, publisher, and critic. But in the end, what helps the writer is love. In the maze of intellectual controversy, the author finds his wife and hugs his child, his work, again.