Military history
Cubism and its histories
by David Cottington, Marsha Meskimmon, Shearer West, Tim Barringer
Description
Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety.
This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established.
Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history. ;
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Endorsements
Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety. This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established. Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history. -
Author Biography
David Cottington is Professor of Art History at Falmouth College of Arts; Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol; Tim Barringer is Paul Mellon Professor of the History of Art at Yale University
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Manchester University Press
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Bibliographic Information
- Publisher Manchester University Press
- Publication Date September 2004
- Orginal LanguageEnglish
- ISBN/Identifier 9780719050046
- Publication Country or regionUnited Kingdom
- FormatPaperback
- Primary Price 30 USD
- Pages328
- ReadershipProfessional and scholarly
- Publish StatusPublished
- Dimensions240 X 170 mm
- IllustrationIllustrations, black & white|Illustrations, colour
- SeriesCritical Perspectives in Art History
- Reference CodeIPR2280
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