That Al Salasil Co.
One of the major publishers in the Middle East with an expanding spectrum of services with 30 outlets in Kuwait and Bahrain. We participate in all of the prominent International and Arab book fairs.
View Rights PortalOne of the major publishers in the Middle East with an expanding spectrum of services with 30 outlets in Kuwait and Bahrain. We participate in all of the prominent International and Arab book fairs.
View Rights PortalSalariya is an award-winning children’s publisher renowned for its innovative content, high quality illustrations and informative writing, all of which give these books a unique appeal. Many Salariya books have been major international successes, and have been translated into numerous languages including Arabic, Chinese, Indonesian, Russian, Korean, Japanese and all the major European languages.
View Rights PortalHoch über dem Meer in Salé an Marokkos Atlantikküste (neben Rabat) ist noch heute das Grabmal des Sufi-Heiligen Abu Musa zu besichtigen. Abu Musa, ein Asket, und die schöne blonde Schama, die am Hof des Sultans in Fes gelebt hat und mit einem andalusischen Kunsthandwerker verheiratet ist, wohnen in einem heruntergekommenen Handelshaus in der bedeutenden Hafenstadt Salé. Eine Reihe alleinstehender Frauen von zweifelhaftem Ruf hat dort ebenfalls Unterkunft gefunden. Wann? Im 14. Jahrhundert. Abu Musas Nachbarinnen ist ein historischer Roman, erzählt in arabischer Tradition, lebendig, farbig und kenntnisreich, mit überraschenden Wendungen unterwegs und einem Regenwunder zum Schluß, das Abu Musa, unterstützt von Schama und den Frauen, herbeiführt – wofür er bezahlen muß. Ahmed Toufiqs Roman fragt, mitten im Getümmel: Wie sollen wir leben und: was können wir tun? Seine Antwort, muslimisch und menschlich, klingt nach.
‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
This book attempts to present the development vision of Ungku Abdul Aziz Ungku Abdul Hamid, or better known simply as Ungku Aziz (1922-2020), in a more comprehensive fashion. Ungku Aziz's vision reflects his commitment as a Muslim as well as a citizen of an emerging Muslim-majority yet a multicultural nation, and his great concern for the underprivileged. This book also attempts to situate Ungku Aziz's vision in its proper historical context, thus providing an insight into a post-colonial debate in Malaysia as well as the views and experience of a modern-educated Muslim in such context.
Der kleine Alfie möchte zu gerne zur Verkleidungsparty in der Schule gehen, sein Kostüm – ein Seestern – liegt schon bereit. Doch kurz davor verlässt ihn der Mut – er ist einfach zu schüchtern. Seine Mutter geht stattdessen mit ihm ins Aquarium, wo Alfie staunend vor der großen Glasscheibe steht und einen Clownfisch beobachtet, der sich kurz zeigt und dann gleich wieder zwischen den Korallen versteckt. »Manchmal müssen Clownfische sich einfach verstecken. So sind sie einfach«, sagt Alfies Mutter. »Menschen auch«, sagt Alfie. Doch bei der nächsten Verkleidungsparty traut er sich – im Kostüm eines Clownfischs. In wunderbar warmem Ton und poetischen Bildern erzählen Davina Bell und Allison Colpoys davon, dass man sich manchmal die Bettdecke über den Kopf ziehen muss und es einfach ein bisschen dauert, bis man bereit ist für die Welt da draußen.