Award Publications is an award-winning independent children’s publisher, producing exciting, creative and best-selling books for children from birth to 12 in more than 70 countries around the world since 1972. From picture books to board books, junior learning to activity, gift to reference, our aim is to bring joy, and to encourage, entertain and inspire children, and those who read with them, to build a life-long love of books and reading
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The SZBA is presented to writers, intellectuals and publishers whose writings and translations of humanities have enriched Arab cultural, literary and social life.
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It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes―heirloom animals, radiation-proof combat drones, sinister surveillance technologies―into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader’s own role.
The novel integrates Tibet's natural history, travel notes, and lyrical literature in describing the demise and dilemmas of Tibet's natural scenery and humanistic customs – a sorrowful elegy lamenting the passing of utopia. In search of snow leopards, a traveler broke through countless obstacles to reach the Qinghai-Tibet Plateau and was allowed to conduct a 72-day snow leopard survey at the Conservation Research Station. Time passes, and he opens his travel log by accident only to find that his heart is still in Tibet – the decision to take a leave of absence from school, returning to the Plateau thrice – what is he looking for now? In the 1950s, Udagawa Huihai entered Tibet illegally through India to understand the subtleties of Buddhism at a time when the Tibetan army and the People's Liberation Army engaged in guerrilla warfare. He eventually settles down in Lhasa, living together with Rinpoche, resulting in TAMING THE SHEEP. Utilizing two different time and space plot lines, Chen-Fu Hsu supplements his tale with the Tibetan drama "Princess Wencheng," folding together important historical scenes from the seventh century, twentieth century, and contemporary Tibet. All events traverse beyond the limitations of time. In detail, one observes the Qinghai-Tibet Plateau, where most people think the Buddha's light shines – we recognize that it has never been calm. After cultural transplantation in the Han Dynasty, the Cultural Revolution swept through, afforestation and grazing ceased, Tibetans not only lived like mayflies but their original nature and life had already gone through several calamities and drifted with the times. From the perspective of contemporary travelers, we observe the biological phenomena of Tibet. Mirroring the natural balance of grassland ecology and the Tibetan natural history, from shale to pikas, snow leopards, vultures, etc., Hsu also describes sheep epidemics from environmental history and geography. Ecological issues such as mining pollution, prairie rat disaster, and agricultural and animal husbandry conflicts reflect Tibet's emotional identity and economic development battles. Exquisite philosophies, metaphors, integrating ecology, geography, drama, architecture, travel notes, against a beautiful context – the book depicts the human landscape, herder culture, and the nature of Tibetan in a meticulous manner. In addition to showing the author's depth and displaying his rich experience in learning and training, we also witness his loving care for the land. In an elegiac form, THE TAMING OF THE SHEEP allows readers to see how history repeats itself on this Plateau and the plight of its people.
In early March 2020 in New Rochelle, New York, teenager Geth Montego is fumbling with the present and uncertain about her future. She only has three friends: her best friend Tovah, who’s been acting weird ever since they started applying to college; Diego, who she wants to ask to prom; and the K-pop band BTS, because the group always seems to be there for her when she needs them (at least in her head). She could use some help now. Geth’s small city becomes one of the first COVID-19 containment zones in the US. As her community is upended by the virus and stirred up by the growing Black Lives Matter protests, Geth faces a choice and a question: Is she willing to risk everything to fight for her beliefs? And if so, what exactly does she believe in? C.J. Farley captures a moment in spring 2020 no teenager will ever forget. It sucks watching the world fall apart. But sometimes you have to start from zero.
