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      • Fiction
        October 2018

        The Pale Ones

        by Bartholomew Bennett

        Pulped fiction just got a whole lot scarier… Few books are treasured.  Most linger in the dusty purgatory of the bookshelf, the attic, the charity shop, their sallow pages filled with superfluous knowledge. And with stories. Darker than ink, paler than paper, something is rustling through their pages. Harris loves to collect the unloved. And in helping people. Or so he says. He wonders if you have anything to donate. To his ‘children’. Used books are his game. Neat is sweet; battered is better. Tears, stains, broken spines – ugly doesn’t matter. Not a jot. And if you’ve left a little of yourself between the pages – a receipt or ticket, a mislaid letter, a scrawled note or number – that’s just perfect. He might call back. Hangover Square meets Naked Lunch through the lens of a classic M. R. James ghost story. To hell and back again (and again) via Whitby, Scarborough and the Yorkshire Moors. Enjoy your Mobius-trip.

      • Fiction
        July 2021

        Mainstream

        by Aisha Phoenix, Alex Hopkins, Chris Simpson, DJ Connell, Elizabeth Baines, Gaylene Gould, Giselle Leeb, Golnoosh Nour, Hedy Hume, Iqbal Hussain, James Maker, Jonathan Kemp, Julia Bell, Juliet Jacques, Justin David, Kathy Hoyle, Keith Jarrett, Kerry Hudson, Kit de Waal, Leone Ross, Lisa Goldman, Lui Sit, Nathan Evans, Neil Bartlett, Neil Lawrence, Neil McKenna, Ollie Charles, Padrika Tarrant, Paul McVeigh, Philip Ridley, Polis Loizou.

        Mainstream brings thirty-something authors in from the margins to occupy centre-page. Queer storytellers. Working class wordsmiths. Chroniclers of colour. Writers whose life experiences give unique perspectives on universal challenges, whose voices must be heard. And read. The collection places emerging writers alongside established authors. Their stories of adolescent awakening, geriatric rebellion, leaping from edges, swimming against tides, sourest vengeance and sweetest deviance are moving, thought-provoking and entertaining, collectively creating an anthology utterly unique in its diversity.

      • Fiction
        March 2020

        The Pharmacist

        by Justin David

        Twenty-four-year-old Billy is beautiful and sexy. Albert—The Pharmacist—is a compelling but damaged older man, and a veteran of London’s late ’90s club scene. After a chance meeting in the heart of the London’s East End, Billy is seduced into the sphere of Albert. An unconventional friendship develops, fueled by Albert’s queer narratives and an endless supply of narcotics. Alive with the twilight times between day and night, consciousness and unconsciousness, the foundations of Billy’s life begin to irrevocably shift and crack, as he fast-tracks toward manhood. This story of lust, love and loss is homoerotic bildungsroman at its finest.

      • Fiction
        May 2020

        Kissing the Lizard

        by Justin David

        Justin David’s newly-released novella is part creepy coming-of-age story, part black-comedy, set partly in buzzing 1990s London and partly in barren New Mexico wildlands. When Jamie meets Matthew in Soho, he’s drawn to his new-age charms. But when he follows his new friend across the planet to a remote earth-ship in Taos, bizarre incidents begin unfolding and Matthew’s real nature reveals itself: he’s a manipulative monster at the centre of a strange cult. Jamie finds himself at the centre a disturbing psychological nightmare as they seize the opportunity to recruit a new member. Pushed to his limits, lost in a shifting sagebrush landscape, can Jamie trust anyone to help him? And will he ever see home again? This evocatively set desert gothic expertly walks the line between macabre humour and terrifying tension.

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