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      • Fiction

        The sad years of Kawabata

        by Miguel Sardegna

        “Kanjis aren’t words, but images, concepts. Unlike our alphabet, you don’t read a kanji, you look at it. The kanji for tree is the drawing of a tree. The Japanese don’t read the word tree, they stare at the tree”, Japanese literature professor Facundo explains. Days ago, an unknown voice told him about the death of his father. Since that moment, Facundo is enveloped by confusion and memories; his mother, his father, death and a pact of silence that carries him into the present.The protagonist of this novel will find in Kawabata a friend and a teacher, who will help him rethink his family history; and in the Japanese culture, the words to find beauty in the most atrocious circumstances.Miguel Sardegna introduces us to the oneiric world of Japan through his avid gaze of knowledge, and through a plot that traps us forever in this wonderful and ancestral culture. “It’s a love letter to literature, an amazing and amazed journey through the universe of Yasunari Kawabata. You will be surprise by the power of the images”.Juan José Millás

      • Fiction

        The logic of damage

        by Luz Vitolo

        Who hasn’t suffered pain or caused it to others? Hurt can be voluntary or premeditated, lethal or miniscule, but impossible to ignore.Luz Vítolo, with a raw and acute eye explores themes as delicate as preadolescent sexuality, suicide, sickness and the aftermath of an accident.These stories, like a gut punch, leave us out of breath and force us to recognize ourselves as vulnerable beings faced with the inevitable pain of being alive. “Tales of a superior intelligence. They’ll survive because they allow the reader to tremulously settle into the empty spaces, fill them in, and make them their own”.Luis Mey

      • Fiction

        The Salt

        by Adriana Riva

        “The silence stretches. We have come this far. Mom is that unreachable inch of skin between my shoulder blades, that bit that itches and I can’t scratch”.Beginning with a childhood accident, Ema digs into the bond with her mother and, pregnant with her second child, sets on a journey for answers: who is Elena, really? Does she know her well enough? Her mother is distant and there’s an area she can’t reach, no matter how hard she tries; that hasn’t changed over the years.With an appearance of simple prose, but charged with truthful images, Adriana Riva examines family relationships with an admirable precision, humor and rawness that turn The Salt into an intimate and touching novel. “This is the age of women, and argentinian literature is being renewed by many writers. Adriana Riva writes with verbal brilliance, creates wonderful images and shoots at the heart of empathy. With this book she asserts herself, without a doubt, as a truly unique voice in this literary scene”.Santiago Llach

      • Fiction

        Everything works out for us

        by Julia Coria

        Everything works out for us is an autobiographical novel where care, love and bravery come together to hold the family when Fabián is diagnosed. Julia documents every chapter of the illness, shedding light to it with happy memories: their first meeting, the declaration of love, the arrival of the children, the trips, projects, life. Is in that thorough record where she finds the strength before the crumbling of her world and before the imperative to become shelter to Cuca and Fidel, and provide them with answers she doesn’t have.Julia Coria moves us with her experience and vulnerability, but above all, with her lucidity in the face of pain, necessary to carry on.

      • Fiction

        Underwater

        by Melina Pogorelsky

        Underwater is a short-lived novel about a hinge stage in the life of Pablo, a first-time father who was widowed the same day his daughter Lola was born. After a long mourning period in which he exclusively raises her, he now finds in that half an hour in the pool time for himself, while Lola swims in the “mojarritas” lane.With an emphasis on the B side, the darker side of maternity and the politically incorrect, Underwater reflects a theme in crisis: the mandates that society imposes on each gender when, faced with an irreversible event, we feel that we can no longer stand.Absent of low blows, Melina Pogorelsky’s agile and forceful writing operates in different depths of sensitivity, where the skin of the other will be the main moving organ. Ironic dialogues and mental monologues converge towards a poetic immersion that manages to equalize us only to show the most valuable thing: our differences.

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