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      • Fiction
        December 2014

        Golden Needle in the Weaver Bird's Nest

        by Arupa Patangia Kalita

        If one can disentangle a weaver bird’s nest, one will find a golden needle that can sew and mend anything, but there’s a small condition: not a single thread must break in the process.  Since no one has met the challenge successfully yet, the needle remains elusive.  Perhaps the secret lies in building the nest with people as threads, perhaps in the harmony of all men. SYNOPSIS Banamali Chaudhury is a revenue collector or mouzadar of the British Raj in a small town dominated by Bodo people.  A tall, handsome, aspiring brown sahib swearing by the British Crown, the philandering pseudo-royal would have women brought to his haveli in a palanquin to quench his lust.  One day, he sets his eyes upon a beautiful girl of lower caste and wishes to marry her.  But unknowingly, he ends up marrying a plain looking but well-educated girl, Santipriya.  Realising his mistake, Banamali searches for the other girl and marries her too.  Mistreatment and depression make Santipriya age quickly, but she gives birth to a pair of male twins, Chandranath and Priyanath. The twins grow up to be the antithesis of their father; they seek India’s freedom and join the Gandhian movement.  Dismayed, their father disinherits them from his estate.  The boys take shelter in a school house and continue their studies from there until their father dies.  The elder becomes a lawyer in the big city and Priyanath takes up the reins of the estate that his debauch father has reduced to shambles.  But Priyanath starts working for the people and gets involved in community activities.  He sires a son and names him Alok.  Alok is talented and an idealist.  He studies in Delhi and gets a scholarship to pursue higher studies abroad.  Defying pressures from his extended family, Alok decides not to leave his father and takes up a job as teacher in a local college.  Difficult days have descended upon Assam; a secessionist movement erupts under a terrorist organisation.  Every year, a family from neighbouring Bhutan would visit Priyanath’s home.  Traditionally, many households here have such families visiting them from the Himalayan kingdom; the same family wouldvisit them every year.  But this is soon going to stop – terrorists kill the entire family camping with Priyanath.  Only a small boy survives and Priyanath takes him as his own.Just as Assam’s secessionist movement was losing steam, another armed struggle begins in this region, entailing the demand for a separate state.  The extortionist militants demand money from Priyanath who refuses to comply.  Out of revenge they barge into Alok’s college one day and gun him down.  The now ageing Priyanath hears about a child born in the paddy fields.  Riots had broken out between the Bodo and Muslim people.  But in the midst of the fight, a woman collapsed.  Nobody knew whether she was Hindu or Muslim, but the rioting stopped and everyone gathered around her.  A lady known as Ammi Jan delivered the baby.  When Priyanath heard this story, he sent his Bhutanese foster boy to fetch the mother and child.  Looking at the innocent eyes of the one who had stopped the riots, Priyanath gives her something close to his heart – a gold chain that once belonged to his own child Alok. The novel carries fifty interwoven stories centred around the plot.  The discreet narrative captures the socio-economic background of a tribal belt of Assam, an easternmost Indian frontier, bordering Bhutan.  The novel traces the historical status of women and the calculated destruction of lush green nature along with its flora and fauna, rivers and hills.  It is rich in the use of myths, tales and description of the different cultural layers of this quaint region.  It traces some endangered institutions like an elephant training centre, along with its colourful folk beliefs and customs.  It touches elements like the advent of Christianity in the place.  An epic novel with its treatment of time and space across a century, it gives meaningful shape to a welter of facts, speculations and elements of popular imagination.

      • Fiction
        November 2004

        Ao Thampa

        by Yeshe Dorjee Thongchi

        He chops human corpses for the salvation of their souls.  He is the bridge between a man’s life and after-life yet a repulsive figure himself, disowned by the community only until the need for him arises.  SYNOPSIS He is Ao Thampa, member of a small tribe called Monpa tucked away in the sub-Himalayan wilderness of the Indian state of Arunachal Pradesh.  The Monpas, largely unknown to the rest of the world – much like the world to them – carry along their pristine lifestyle and the same social ethos and taboos that they have been living with for centuries.  Despite their strong spiritual attachment to the tenets of Tibetan Buddhism, they still persist with their primordial shamanic social norms – few of which may seem bizarre to an outsider. Dargye Norbu, a wretched person in a lice-infested robe smeared with blood, pus of dead bodies and excreta of his daughter, is often seen in the evenings on the streets of Dirang Village in an inebriated state, cursing and abusing the villagers, and dragging himself towards his secluded hut located on the confluence of two rivers away from the village.  To him he does not need a human society, but the people of the society need him because after death, it is only Dargye who can dissect their bodies and throw the hundred and eight pieces into the river as per the funeral customs of the Monpa. However, the story has not always been like this; Dargye Norbu used to be a happy lad leading a regular life with his family and friends in Surbin Village of Tawang.  It seemed like only a matter of time before he would marry his cousin Rijomba, but destiny had other plans for him.  The peaceful life of the Monpas was shattered when China occupied Tibet and their spiritual authority fled his home via Tawang.  A few years later, China attacked India taking over the whole of Tawang, this time forcing the villagers themselves to flee.  Rijomba was killed by a stray bullet and Dargye had to be her undertaker by cutting her body and throwing the pieces into the Tawangchu River.  Dargye got separated from his family and the cruel twist of circumstances turned him into a thampa – a chopper of corpses – he became known to all as Ao Thampa of a repugnantly squalid disposition. Dargye Norbu began living a solitary life that was a grim struggle to keep himself and his nagging wife Guisengmu, along with their deaf and mute daughter Rinjomba, alive when destiny took another turn and he met a reincarnate Buddhist Nun, Ani Sange Norljom.  The venerated nun had come to Dirang along with the Dalai Lama to perform the Kalachakra Puja. Ao Thampa is a story of life, love and hope on one side and a sinister nexus of death, desolation and destiny on the other.  It is a tale of immortal love between a pure Buddhist Nun and a wretched, socially outcaste person.

      • Fiction
        January 1994

        Dawn

        by Arupa Patangia Kalita

        Dawn or Solstice is a compelling and moving story grounded in the rich texture of the society that it describes.  The novel centres around the story of a talented, sensitive and intelligent girl who suffers in a society ruled by patriarchy.  Set in the heady days of Indian struggle for independence the saga of a woman dreaming equality and a dignified status of woman is sad as well as inspiring. SYNOPSIS The novel picks up an array of characters from different walks of life.  These characters are well etched coming out of the pages with life-like clarity.  The novel is a status of women in a particular and crucial point of history.  The struggle for independence in India ripens and the life of the women described in the novel have become more and more oppressed by patriarchy in different forms.  The contrast is clear and gives the novel a special character.  None of the women can come out of the cruel patriarchy but the struggle does not stop.  More the oppression becomes cruel, more the struggle gains momentum.  The novel becomes the voice of a voiceless silent group. Colourful characters, interesting story-line, gripping narrative, historical relevance make the novel worth reading.

      • Fiction
        February 2001

        Silent Lips, Whispering Heart

        by Yeshe Dorjee Thongchi

        An unexplored land in the eastern Himalayas of India – unadministered until India won her independence.  Everything being built from scratch here – schools, hospitals, roads and bridges to connect it with the mainland, even relations between the endemic tribes of the region.  Members from different tribes were made to gather as laborers to build a road through treacherous forests and mountains.  Even in such thorny environs, love blooms like a rose.   SYNOPSIS The Administration made it compulsory for every village to send a volunteer each from every household to construct a stretch of road that would connect Tawang and Bomdila in North East Frontier Agency with Tezpur in Assam.  Rinchin, a youth from the Sherdukpen tribe arrives with his kin at a place called Eagle’s Nest to volunteer for the construction. One day, he along with a few girls enter a thick jungle to collect firewood, and encounters an extremely beautiful girl.  The two instantly fall in love with each other.  The girls accompanying Rinchin assume this beautiful stranger to be a shrimpu, a mythical creature living in the high mountains with the power to assume human forms to lure men away.  Tsering Wangmu, a girl from the group, attacks the girl with a machete and had it not been for Rinchin’s intervention, the result could have been fatal.  But the girl turned out to be Yama, from the Nyishi tribe, who had come with her village folk to volunteer for the construction.  The Administration had made all volunteers stay together so that they could familiarise themselves with each other.  Each tribe, although now under one administrative umbrella, had different customs, different languages and ways of life.  Each thought of themselves as superior to the other.  Whereas Sherdukpens were a peace-loving Buddhist tribe, Nyishis were animist, fierce and always at war.  The Sherdukpen, fearful of the Nyishi who they considered as most cruel, first refused to work alongside them – both were assigned to work in a difficult rocky site with a hanging cliff. The initial reluctance ultimately gave way to a feeling of bonhomie when they realised that despite their differences, they possessed the same human nature.  Rinchin made friends with Tadak, the Nyishi group leader who also happened to be Yama’s brother.  They communicated in pidgin Assamese, their lingua franca, because their own tongues had nothing in common.  But for Rinchin and Yama, language proved to be the tallest barrier.  Neither one knew that the other was already betrothed.  Rinchin was betrothed to Tsering Wangmu, the girl who attacked Yama in the forest and was jealously guarding her fiancé from the time of that encounter.  Relatives of Yama’s would be husband, camping a little distance away, came to know about the affair and insisted that she stayed with them till they returned home.  The hurdles started mounting – even Tadak, who had become Rinchin’s good mate, went against the two. Silent Lips, Whispering Heart is the story of two lovers.  Taking the road as metaphor, the author has woven a story of a remote region in its journey of connecting to the mainland – how mountains connected to the plains; how people, unknown to each other, got connected and how a backward world plugged itself with the so-called civilised country.

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